Freitag, 15. Juni 2012
Philip Pullman - The amber spyglass
Lyra lies sleeping in a cave near a rainbow, drugged into
unconsciousness by her mother, Mrs Coulter, whose love for her daughter
closely rivals her own ruthless ambition. Now, the latter threatens
to overcome the former, as she strives to prevent the events which are
dependent on the decisions Lyra is fated to make. Meanwhile,
Will-scarred and traumatised after his last, fatal meeting with his
father-seeks blindly for her, with only two of Lord Asriel's angels as
companions on his dangerous search. The two are fated to meet once
more, however, and begin their most treacherous journey. For Lyra owes a
great debt, and she must repay it-she must rescue her friend from the
Land of the Dead. Neither are prepared for the terrible sacrifice they
must endure, or for the universal consequences of their actions. Lyra
and Will must play their part in the war between the worlds and
heaven...
Philip Pullman - The subtle knife
At the end of The Northern Lights, Lyra Silvertongue watched in
fear and fascination as her father, Lord Asriel, created a bridge
between worlds. Lyra and her daemon, Pantalaimon, are now lost in an
alternate universe where they meet Will Parry, a fugitive from a third
universe. Will has found a small window between Cittagazze (a place
where children roam unchecked but invisible Specters suck the spirit
out of adults) and his Oxford, which, with its Burger Kings and cars,
is frighteningly different from the Oxford Lyra knows.
Will's father, an explorer, disappeared years ago, but recently some odd characters have started asking questions about him, and now, having accidentally killed one of them, Will is wanted by the police. Armed with the Subtle Knife, a tool that cuts any material (including that which separates universes) and Lyra's alethiometer, the children set out to find John Parry, with adults of various stripes in desperate pursuit.
Lyra's finest qualities, her courage and quick mind, are stretched to the limit as she has to lie, cheat and steal to keep herself and Will out of danger. However, she must also learn when to tell the truth and when to trust, for, though she does not yet know it, she has a huge part to play in the upcoming battle between Good and Evil...
Will's father, an explorer, disappeared years ago, but recently some odd characters have started asking questions about him, and now, having accidentally killed one of them, Will is wanted by the police. Armed with the Subtle Knife, a tool that cuts any material (including that which separates universes) and Lyra's alethiometer, the children set out to find John Parry, with adults of various stripes in desperate pursuit.
Lyra's finest qualities, her courage and quick mind, are stretched to the limit as she has to lie, cheat and steal to keep herself and Will out of danger. However, she must also learn when to tell the truth and when to trust, for, though she does not yet know it, she has a huge part to play in the upcoming battle between Good and Evil...
Dienstag, 8. Mai 2012
Andrew Sean Greer - The confessions of Max Tivoli
Over Max's narration of the preceding decades of his life, he offers outsider's snapshots of San Francisco and all of America across the late 19th and early 20th centuries. Throughout, Greer uses the literary device of reverse aging to interrogate the evolution of social conventions, the finitude of a human life and the decay of memory. Max wants love. But his curse destines him to deception. He loses his wife, Alice, changes his name and remains hidden from his own son to keep his true identity secret. Only his lifelong friend, Hughie, stands by Max and can see the person inside the anachronistic body. Like the best science fiction and myth, the novel uses its central conceit to reveal human prejudice and explode all assumptions of normalcy to profound effect.
Love is a destructive force in The Confessions of Max Tivoli. But Greer recognises that in the failure of love is also hope. He artfully captures Max's fragile world with a delicacy that never crosses into sentimentality but also avoids the monumental scale of tragedy. As Max says near the end of the novel, "It is a brave and stupid thing, a beautiful thing to waste ones life for love." A journey with Max, while brave and beautiful, is hardly a waste.
Freitag, 13. April 2012
Alice Sebold - The lovely bones
Donnerstag, 12. April 2012
Christian Kracht - Imperium
In »Imperium« erzählt Christian Kracht eine Aussteigergeschichte in den deutschen Kolonien der Südsee, indem er virtuos und gut gelaunt mit den Formen des historischen Abenteuerromans eines Melville, Joseph Conrad, Robert Louis Stevenson oder Jack London spielt. Die Welt wollte er retten, eine neue Religion stiften, gar ein eigenes Reich gründen - eine Utopie verwirklichen, die nicht nur ihn selbst, sondern die Menschheit erlöst, fernab der zerstörerischen europäischen Zivilisation, die gerade aufbricht in die Moderne und in die Katastrophen des Ersten und Zweiten Weltkriegs. Doch in der Abgeschiedenheit der Südsee, in einer Kolonie des wilhelminischen Deutschland, gerät ein von einem vegetarischen Spleen besessener Sonnenanbeter in eine Spirale des Wahnsinns, die die Abgründe des 20. Jahrhunderts ahnungsvoll vorwegnimmt.
Mittwoch, 4. April 2012
Martin Suter - Allmen und der rosa Diamant
Montag, 26. März 2012
Martin Suter - Allmen und die Libellen
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